Azaleas by Merle Geode

Merle Geode is a queer, non-binary poet, writer, multidisciplinary artist, and shamanic practitioner living with metastatic breast cancer and a hot mess of other human conditions. They often use ritual and trance as generative—and healing—processes to give stories containers in many forms. Their work explores grief, chaos/disruption, and messy embodiment. In fall 2019, they began their MFA in Poetry at the University of Minnesota Twin Cities. They are a former food writer, dog groomer, and Loft Literary Center Mirrors & Windows Fellow. They are currently working on a picture book about anticipatory grief and death.

May is Asian American and Pacific Islander (AAPI) Heritage Month.

Our guest editor is Su Hwang, author of Lyricality’s Read Poetry 2020 selection Bodega.

Merle Geode is a queer, non-binary poet, writer, multidisciplinary artist, and shamanic practitioner living with metastatic breast cancer and a hot mess of other human conditions. They often use ritual and trance as generative—and healing—processes to give stories containers in many forms. Their work explores grief, chaos/disruption, and messy embodiment. In fall 2019, they began their MFA in Poetry at the University of Minnesota Twin Cities. They are a former food writer, dog groomer, and Loft Literary Center Mirrors & Windows Fellow. They are currently working on a picture book about anticipatory grief and death.

Su Hwang selects “Azaleas” by Merle Geode
Hint for reading: to preserve formatting, read this poem on a desktop/laptop or turn your device horizontally

Azaleas
by Merle Geode

/

​​​​Cameras flashing………………………………
…..​​​​​convex conservatory ceiling​
​​​​bonsai pageant beneath…………………..

​​​​‘enjoy with your eyes only’​​ ………………coil and shrink ​
…………………………………………………………………………..​​​​​​​​prized for being
small……………………………………………………………………………………………………………​​​​​​​
quite possibly…………………​​​………………. ​​​​​​​​​​​​​​

thousands will pass without……………………………………………….. ​​​​​​​​​

………………………………………………………………………………………………………….even knowing your names:

​​​​​Rhododendron indicum <in training>………………………………………………………..
………………………………………………………………………………………………..​​​​​​​​Rhododendron sp. <in training>
​​​Rhododendron indicum “koyo” <in training>

<training>

My dad 
used to joke 
………that he would 
send my mother 
back to Korea for <training>
I cannot unsee her, dragged across the floor.

// 

Bonsai is what has……………………………………………………………………………. 
been done to you. Foremost,…………………………………………………………… 
you are azaleas.………………………………………………………………………………

///   

​​​​​Pink……………………..​​​
​​blOOms……………………..​…………five-petaled ​​…………
​​like ………………………………..​​​my……………………………………….. ​​​hand
…………………….​​​whOrled…………………..​​……………grabbing……………………..​​starred—

sOmewhere…………………………………. ​​​dOt………………………………………………….. ​​​​mOuntainsides

​​ bOnsai is…………………………​​a process ………………………………….

…………………………………………<disruption of fOrm>…………………………​​​​that reduces…………………………​​…​​the size of leaves 

……………………………………….​but​​ …………………….the flOwers ​​……………………….remain ………………..​the same ………………………..​​size ​​

…………………………..as in the wild— 

​​​​​​​……………………………………………………………….sOme of ​…………………..yOu
​​​is wild……………………………………………………….

***

“Azaleas” by Merle Geode ©2021. Appears here with permission of the author.

Read the essay, “One’s a Crowd,” where poet and visual artist Merle Geode maps a spiritual history and creative practice, from the public library to a South Korean temple to a cathedral in France. This essay is part of the series “Decolonizing the Invisible: Art and Spirit” by guest editor Sun Yung Shin, for MN Artists at Walker Art Center.

to read more about Merle Geode: Click Here.

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